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Archivists, curators, museum and archives technicians, and conservators
search for, acquire, appraise, analyze, describe, arrange, catalogue,
restore, preserve, exhibit, maintain, and store valuable items that can be
used by researchers or for exhibitions, publications, broadcasting, and
other educational programs. Depending on the occupation, these items
include historical documents, audiovisual materials, institutional
records, works of art, coins, stamps, minerals, clothing, maps, living and
preserved plants and animals, buildings, computer records, or historic
sites.
Archivists and curators plan and oversee the arrangement, cataloguing,
and exhibition of collections and, along with technicians and
conservators, maintain collections. Archivists and curators may coordinate
educational and public outreach programs, such as tours, workshops,
lectures, and classes, and may work with the boards of institutions to
administer plans and policies. They also may research topics or items
relevant to their collections. Although some duties of archivists and
curators are similar, the types of items they deal with differ. Curators
usually handle objects found in cultural, biological, or historical
collections, such as sculptures, textiles, and paintings, while archivists
mainly handle valuable records, documents, or objects that are retained
because they originally accompanied and relate specifically to the
document.
Archivists determine what portion of the vast amount of records
maintained by various organizations, such as government agencies,
corporations, or educational institutions, or by families and individuals,
should be made part of permanent historical holdings, and which of these
records should be put on exhibit. They maintain records in their original
arrangement according to the creator’s organizational scheme, and
describe records to facilitate retrieval. Records may be saved on any
medium, including paper, film, videotape, audiotape, electronic disk, or
computer. They also may be copied onto some other format to protect the
original, and to make them more accessible to researchers who use the
records. As computers and various storage media evolve, archivists must
keep abreast of technological advances in electronic information storage.
Archives may be part of a library, museum, or historical society, or
may exist as a distinct unit within an organization or company. Archivists
consider any medium containing recorded information as documents,
including letters, books, and other paper documents, photographs,
blueprints, audiovisual materials, and computer records. Any document that
reflects organizational transactions, hierarchy, or procedures can be
considered a record. Archivists often specialize in an area of history or
technology so they can better determine what records in that area qualify
for retention and should become part of the archives. Archivists also may
work with specialized forms of records, such as manuscripts, electronic
records, photographs, cartographic records, motion pictures, and sound
recordings.
Computers are increasingly used to generate and maintain archival
records. Professional standards for use of computers in handling archival
records are still evolving. However, computers are expected to transform
many aspects of archival collections as computer capabilities, including
multimedia and worldwide web use, expand and allow more records to be
stored and exhibited electronically.
Curators oversee collections in museums, zoos, aquariums, botanical
gardens, nature centers, and historic sites. They acquire items through
purchases, gifts, field exploration, inter-museum exchanges, or, in the
case of some plants and animals, reproduction. Curators also plan and
prepare exhibits. In natural history museums, curators collect and observe
specimens in their natural habitat. Their work involves describing and
classifying species, while specially trained collection managers and
technicians provide hands-on care of natural history collections. Most
curators use computer databases to catalogue and organize their
collections. Many also use the Internet to make information available to
other curators and the public. Increasingly, curators are expected to
participate in grant writing and fund raising to support their projects.
Most curators specialize in a field, such as botany, art, paleontology,
or history. Those working in large institutions may be highly specialized.
A large natural history museum, for example, would employ specialists in
birds, fishes, insects, and mollusks. Some curators maintain the
collection, others do research, and others perform administrative tasks.
Registrars, for example, keep track of and move objects in the collection.
In small institutions, with only one or a few curators, one curator may be
responsible for multiple tasks, from maintaining collections to directing
the affairs of museums.
Conservators manage, care for, preserve, treat, and document works
of art, artifacts, and specimens. This may require substantial historical,
scientific, and archaeological research. They use X-rays, chemical
testing, microscopes, special lights, and other laboratory equipment and
techniques to examine objects and determine their condition, the need for
treatment or restoration, and the appropriate method for preservation.
They then document their findings and treat items to minimize
deterioration or restore items to their original state. Conservators
usually specialize in a particular material or group of objects, such as
documents and books, paintings, decorative arts, textiles, metals, or
architectural material.
Museum directors formulate policies, plan budgets, and raise funds
for their museums. They coordinate activities of their staff to establish
and maintain collections. As their role has evolved, museum directors
increasingly need business backgrounds in addition to an understanding of
the subject matter of their collections.
Museum technicians assist curators and conservators by performing
various preparatory and maintenance tasks on museum items. Some museum
technicians may also assist curators with research. Archives technicians
help archivists organize, maintain, and provide access to historical
documentary materials.

Working
Conditions
The working conditions of archivists and curators vary. Some spend most
of their time working with the public, providing reference assistance and
educational services. Others perform research or process records, which
often means working alone or in offices with only a few people. Those who
restore and install exhibits or work with bulky, heavy record containers
may climb, stretch, or lift. Those in zoos, botanical gardens, and other
outdoor museums or historic sites frequently walk great distances.
Curators who work in large institutions may travel extensively to
evaluate potential additions to the collection, organize exhibitions, and
conduct research in their area of expertise. However travel is rare for
curators employed in small institutions.
Employment
Archivists, curators, museum technicians, and conservators held about
23,000 jobs in 1998. About a quarter were employed in museums, botanical
gardens, and zoos, and approximately 2 in 10 worked in educational
services, mainly in college and university libraries. Over one-third
worked in Federal, State, and local government. Most Federal archivists
work for the National Archives and Records Administration; others manage
military archives in the Department of Defense. Most Federal Government
curators work at the Smithsonian Institution, in the military museums of
the Department of Defense, and in archaeological and other museums managed
by the Department of Interior. All State governments have archival or
historical records sections employing archivists. State and local
governments have numerous historical museums, parks, libraries, and zoos
employing curators.
Some large corporations have archives or records centers, employing
archivists to manage the growing volume of records created or maintained
as required by law or necessary to the firms’ operations. Religious and
fraternal organizations, professional associations, conservation
organizations, major private collectors, and research firms also employ
archivists and curators.
Conservators may work under contract to treat particular items, rather
than as a regular employee of a museum or other institution. These
conservators may work on their own as private contractors, or as an
employee of a conservation laboratory or regional conservation center that
contracts their services to museums.

Training,
Other Qualifications and Advancement
Employment as an archivist, conservator, or curator usually requires
graduate education and related work experience. Many archivists and
curators work in archives or museums while completing their formal
education, to gain the "hands-on" experience that many employers
seek when hiring.
Employers usually look for archivists with undergraduate and graduate
degrees in history or library science, with courses in archival science.
Some positions may require knowledge of the discipline related to the
collection, such as business or medicine. An increasing number of
archivists have a double master’s degree in history and library science.
There are currently no programs offering bachelor’s or master’s
degrees in archival science. However, approximately 65 colleges and
universities offer courses or practical training in archival science as
part of history, library science, or another discipline. The Academy of
Certified Archivists offers voluntary certification for archivists.
Certification requires the applicant to have experience in the field and
to pass an examination offered by the Academy.
Archivists need research and analytical ability to understand the
content of documents and the context in which they were created, and to
decipher deteriorated or poor quality printed matter, handwritten
manuscripts, or photographs and films. A background in preservation
management is often required of archivists since they are responsible for
taking proper care of their records. Archivists also must be able to
organize large amounts of information and write clear instructions for its
retrieval and use. In addition, computer skills and the ability to work
with electronic records and databases are increasingly important.
Many archives are very small, including one-person shops, with limited
promotion opportunities. Archivists typically advance by transferring to a
larger unit with supervisory positions. A doctorate in history, library
science, or a related field may be needed for some advanced positions,
such as director of a State archive.
For employment as a curator, most museums require a master’s degree
in an appropriate discipline of the museum’s specialty—art, history,
or archaeology—or museum studies. Many employers prefer a doctoral
degree, particularly for curators in natural history or science museums.
Earning two graduate degrees—in museum studies (museology) and a
specialized subject—gives a candidate a distinct advantage in this
competitive job market. In small museums, curatorial positions may be
available to individuals with a bachelor’s degree. For some positions,
an internship of full-time museum work supplemented by courses in museum
practices is needed.
Curatorial positions often require knowledge in a number of fields. For
historic and artistic conservation, courses in chemistry, physics, and art
are desirable. Since curators—particularly those in small museums—may
have administrative and managerial responsibilities, courses in business
administration, public relations, marketing, and fundraising also are
recommended. Similar to archivists, curators need computer skills and the
ability to work with electronic databases. Curators also need to be
familiar with digital imaging, scanning technology, and copyright
infringement, since many are responsible for posting information on the
Internet.
Curators must be flexible because of their wide variety of duties. They
need to design and present exhibits and, in small museums, manual
dexterity to build exhibits or restore objects. Leadership ability and
business skills are important for museum directors, while marketing skills
are valuable for increasing museum attendance and fundraising.
In large museums, curators may advance through several levels of
responsibility, eventually to museum director. Curators in smaller museums
often advance to larger ones. Individual research and publications are
important for advancement in larger institutions.
Museum technicians usually need a bachelor’s degree in an appropriate
discipline of the museum’s specialty, museum studies training, or
previous museum work experience, particularly in exhibit design.
Similarly, archives technicians usually need a bachelor’s degree in
library science or history, or relevant work experience. Technician
positions often serve as a stepping stone for individuals interested in
archival and curatorial work. With the exception of small museums, a
master’s degree is needed for advancement.
When hiring conservators, employers look for a master’s degree in
conservation, or in a closely related field, and substantial experience.
There are only a few graduate programs in museum conservation techniques
in the United States. Competition for entry to these programs is keen; to
qualify, a student must have a background in chemistry, archaeology or
studio art, and art history, as well as work experience. For some
programs, knowledge of a foreign language is also helpful. Conservation
apprenticeships or internships as an undergraduate can also enhance
one’s admission prospects. Graduate programs last 2 to 4 years; the
latter years include internship training. A few individuals enter
conservation through apprenticeships with museums, nonprofit
organizations, and conservators in private practice. Apprenticeships
should be supplemented with courses in chemistry, studio art, and history.
Apprenticeship training, although accepted, usually is a more difficult
route into the conservation profession.
Relatively few schools grant a bachelor’s degree in museum studies.
More common are undergraduate minors or tracks of study that are part of
an undergraduate degree in a related field, such as art history, history,
or archaeology. Students interested in further study may obtain a
master’s degree in museum studies. Colleges and universities throughout
the country offer master’s degrees in museum studies. However, many
employers feel that, while museum studies are helpful, a thorough
knowledge of the museum’s specialty and museum work experience are more
important.
Continuing education, which enables archivists, curators, conservators,
and museum technicians to keep up with developments in the field, is
available through meetings, conferences, and workshops sponsored by
archival, historical, and museum associations. Some larger organizations,
such as the National Archives, offer such training in-house.

Job Outlook
Competition for jobs as archivists, curators, museum technicians, and
conservators is expected to be keen as qualified applicants outnumber job
openings. Graduates with highly specialized training, such as master’s
degrees in both library science and history, with a concentration in
archives or records management, and extensive computer skills should have
the best opportunities for jobs as archivists. A curator job is attractive
to many people, and many applicants have the necessary training and
subject knowledge; but there are only a few openings. Consequently,
candidates may have to work part time, as an intern, or even as a
volunteer assistant curator or research associate after completing their
formal education. Substantial work experience in collection management,
exhibit design, or restoration, as well as database management skills,
will be necessary for permanent status. Job opportunities for curators
should be best in art and history museums, since these are the largest
employers in the museum industry.
The job outlook for conservators may be more favorable, particularly
for graduates of conservation programs. However, competition is stiff for
the limited number of openings in these programs, and applicants need a
technical background. Students who qualify and successfully complete the
program, have knowledge of a foreign language, and are willing to
relocate, will have an advantage over less qualified candidates.
Employment of archivists, curators, museum technicians, and
conservators is expected to increase about as fast as the average for all
occupations through 2008. Jobs are expected to grow as public and private
organizations emphasize establishing archives and organizing records and
information, and as public interest in science, art, history, and
technology increases. However, museums and other cultural institutions are
often subject to funding cuts during recessions or periods of budget
tightening, reducing demand for archivists and curators during these
times. Although the rate of turnover among archivists and curators is
relatively low, the need to replace workers who leave the occupation or
stop working will create some additional job openings.

Earnings
Median annual earnings of archivists, curators, museum technicians, and
conservators in 1998 were $31,750. The middle 50 percent earned between
$23,090 and $43,840. The lowest 10 percent earned less than $16,340 and
the highest 10 percent earned more than $63,580. Median annual earnings of
archivists, curators, museum technicians, and conservators in 1997 were
$28,400 in museums and art galleries.
Earnings of archivists and curators vary considerably by type and size
of employer, and often by specialty. Average salaries in the Federal
Government, for example, are usually higher than those in religious
organizations. Salaries of curators in large, well-funded museums can be
several times higher than those in small ones.
The average annual salary for all museum curators in the Federal
Government in nonsupervisory, supervisory, and managerial positions was
about $59,200 in 1999. Archivists averaged $57,500; museum specialists and
technicians, $40,400; and archives technicians, $40,000.
Related
Occupations
The skills that archivists, curators, museum technicians, and
conservators use in preserving, organizing, and displaying objects or
information of historical interest are shared by anthropologists,
arborists, archaeologists, botanists, ethnologists, folklorists,
genealogists, historians, horticulturists, information specialists,
librarians, paintings restorers, records managers, and zoologists.
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